On Critical Curation – the Role and the Strategies of the Curator in the Age of Globalization.
Paul Goodwin, Independent Curator and Contemporary Art Professor, Chelsea College of Arts, UAL, UK.
How can UNESCOs ”Convention on the Protection and Promotion of the Diversity of Cultural Expressions” be implemented?
Christine Merkel, Head of Division for Culture, Memory of the World, UNESCO, Germany.
Performance: BLOC by Elika Hedayat and Tamara Erde, FR
Can the Art Biennale as a Global Phenomenon Create a Space for Intercultural Dialogue?
Alia Swastika, Program Director at Ark Galerie and Director of Biennale Jogja 2015, Indonesia in Conversation with Gavin Clarke, Images, Centre for Culture & Development, DK.
How to Promote New Voices in Art
Tessa Jackson, Director of Iniva (Institute of International Visual Arts), UK
Osei Bonsu, Independent Curator and Writer, Ghana/UK
Maria Ribas, CCCB (Centre de Cultura Contemporània de Barcelona), Spain.
Rethinking Migration in the Context of Nordic Coloniality
Tone Olaf Nielsen, Independent curator, co-director of CAMP (Center for Art on Migration Politics) and Volunteer Coordinator at Trampoline House: Copenhagen Refugee Community , DK.
Best Practice in the Arts: Can Works of Art and Art Practice Enhance Intercultural Dialogue? Ibrahim Mahama, Visual Artist, Ghana.
Silvia Litardi, Independent curator, Italy.
Kenneth Balfelt, Visual Artist, DK.
Can International Networks Promote Cultural Diversity and Intercultural Dialogue on a local level?
María del Carmen Carrión, Director of Public Programs and Research at ICI (Independent Curators International), U.S.A.
Kati Kivinen, Curator at KIASMA, Finland and Vice President of IKT (International Association of Curators of Contemporary Art).
Can Exile, Subculture and Difference be Drivers in Art Production?
Elika Hedayat, Visual Artist, Iran/France
Tamara Erde, filmmaker and dancer, Israel/France.
From Festival to Biennale: A Strategy to Support Sustainable Intercultural Dialogue.
Christina Papsø Weber, National Director of Danish Centre for Culture and Development (CKU), DK.
On Bridging the Gap – Art Scenes in Conflict Zones: Sense of Place and Society
Alia Rayyan, Director at the Al Hoash Gallery – the Palestinian Art Court.
Performance: AFGHAN HOUND by Lilibeth Cuenca Rasmussen, DK.